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So I could either record the drums with 2 mics. I would much prefer at least 2 channels though.
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If I found an acceptable way to record drums with one mic, then all I really need is one channel input, and i can overdub the other instruments. My thought was that I could do this with 2 mics (a decent large diaphragm condenser and dynamic SM-57 or equiv). I would like to upgrade and step up the quality and ease of use a bit. I have some experience doing recordings on a laptop using an old M-audio pre-mobile or whatever it was called, and some crappy mics. But I would like it to have some acceptable level of fidelity so that it is enjoyable to listen to and share. The music we play is a bit intentionally rough around the edges anyhow. It doesn’t have to be professional quality. Ultimately, I want to be able to do some simple, inexpensive home recording of a 3-4 piece rock band. You’ve both provided some good information, but I’m getting a little more confused overall. Look up the “recorderman” technique and use maybe a pair of Behringer B5’s. For decent drums recording, don’t go with one condenser and one dynamic. The MXL mic is one of the nicest in it’s price segment. The Audient ID14 can be USB bus powered, but needs a wall-wart to use all functions. They’re all powered by the USB bus and that can be a major disadvantage. That goes for most of its competitors in that class. A passive attenuator between the guitar and the input will solve it.
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Be forewarned, the instrument input on the 2i2 will clip with guitars that have a high-output pick-up. Somewhat less of an investment, is the Focusrite 2i2, around 150$. 4 outputs might seem overkill right now, but youmight want it to provide individual monitoring for band members. It’ll give you 2 inputs, 4 outputs and it’s the new kid on the block, including the latest in AD tech and very nice preamps. There’s an ADAT input to add eight more channels later with something affordable, such as an ADA8200 from Behringer. It’s an investment, at around 250$, but one that lasts. I think I can go over that, but past four the connections start getting a little magic. That mixer I posted will mix four microphones or four high-level connections in any high/low combination that adds up to four. So there is no vocal mic, guitar mic, pickup feed, drum mic, etc. Whatever you plug into channel one is going to get recorded on the Left of the stereo show. You’re probably not going to like the Mackie very much, It’s not a mixer. “It’s a terrific microphone until it catches fire” (it doesn’t really catch fire). Positive reviews can be written by the makers and suppliers, but the complaints tend to be real particularly if many of them say the same things. They don’t interfere with each other each is a phantom to the other.ĭo you have any reason you’re not using a Shure SM-58 vocal microphone for vocals? I use an ES-58 knockoff and nobody can tell the difference except the ES-58 is slightly hotter (and way cheaper).īefore you write any checks, Google complaints. Phantom Power is where the mixer pushes 48v to run the microphone up the cable at the same time the microphone is pushing the show back down. So if you like that microphone, the preamp has to say “48 Volts Phantom” somewhere. Condenser microphones take 48volt phantom power from the preamp. Once you have the raw recording you can transfer it to your PC for editing. If you’re on a tight budget, this is one way to go. There are also some amazing little standalone multi-channel recorders that record onto flash media. These days there are many decent dynamic microphones available at much lower cost than “main brand” microphones (many of them made in Eastern Europe). In short, not impossible, but highly complex and not recommended. It “may” be possible to do similar on Windows, but the best and correct way to record multiple microphones at the same time is to use a “multi-channel sound card”, with conventional (non-USB) microphones. (which may be compensated for, but it is less than ideal. It’s not recommended because each physical device runs from its own clock, so the devices tend to drift out of sync. On Linux and Mac it is “possible” (but generally not recommended) to create an “aggregate device”, which is a software emulation of a single, multi-channel device that takes its inputs from multiple physical devices. If you have a multi-channel audio interface that presents itself to the computer as one multi-channel device, then you can record all of the channels that the device makes available. Audacity can only record from one device at a time.